Photo of the Week: Aug. 31, 2011

HOW I GOT THE SHOT: Nature in motion, not unlike poetry, reveals its beauty in evanescent bursts. You cannot photograph something without first seeing it. Yet some images don't really exist, except in our imagination, until the still camera freezes the rushing tide and uncovers a hidden pearl in a few scattered, battered seashells. Seconds later, grace and elegance are wiped clean by another wave.

On the shore of Nizzanim Beach, between Ashkelon and Ashdod, I noticed these shell fragments during a casual late-afternoon stroll. I stopped to study the wave action and marveled at how each shell left a kind of footprint in the receding tide. I like this shot for its minimalism. Just sand and a few shells, yet each one gains prominence and invites individual examination. The falling sun elongates the shadows. Another click and a moment unseen is captured for eternity.

Technical Data: Nikon D300, 28-105 macro zoom at 44mm, f8 @ 1/320th sec., ISO 400.

Photo of the Week: Aug. 4, 2011

HOW I GOT THE SHOT: As an Ashkenazic Jew, I have always admired the Torah scrolls used by our Sephardic brethren, simply because they are different and I encounter them less frequently. Sephardic Torahs are carried in a round case fashioned from either wood or metal and read in the upright position, as opposed to lying flat on a table in the Ashkenazic tradition. Although this makes photographing the reader more complicated, the scroll cases are often quite colorful and ornately adorned. In addition, they always have a piece of material hanging from the top to allow the oleh to mark the place where his reading begins and ends.

I photographed this Torah during a bar mitzvah reading at the Kotel. The case is crafted entirely from wood and was so large and heavy the bar mitzvah boy could barely lift it. A brightly colored tallit was clipped to the top and draped beautifully along one side. Normally, I might shy away from mixing the earth tones of the wood with the bright rainbow colors of the fabric, but here the two strong symbols of my heritage merged comfortably into visual harmony, helped along by the soft, diffuse light of early morning.

Technical Data: Nikon D300, 18-200 zoom at 105mm, f8 @ 1/125th sec., ISO 400

Photo of the Week: July 20, 2011

HOW I GOT THE SHOT: In my humble opinion, photographs can reveal deep truths or they can mislead, even deceive. And sometimes they can do both at the same time. Allow me to explain: A few years back, I visited Gan Yehoshua, the largest public park in Tel Aviv, during Passover, when it was teeming with visitors. My children were eager for a paddle around the small pond that is one of the park's main attractions, but the 90-minute wait scuttled that plan. As we stood amid a throng of hot and annoyed parents and children and plotted an alternative activity, I caught sight of these boats, rocking softly in the pond's gentle wave action.

It took me only a few seconds to corral these three boats within the frame. My eye was drawn to the bright colors and repetitive pattern formed by the portion of the side panels visible from where I stood. The reflections on the water add a nice touch and help fill the dead space in the lower right corner. But wait a minute, this calm and quiet photo says nothing about the undulating energy just a few meters away. It's an abstraction of peace from a scene of chaos and tension. And yet, in that moment, when the stress of the holiday crowd reached its peak in our disappointment, I could gaze upon this scene and inhale a breath of truth.

Technical Data: Nikon D70, 70-300 zoom at 702mm, f13 @ 1/640th sec., ISO 400.

Photo of the Week: July 13, 2011

HOW I GOT THE SHOT: When the mercury rises in the Middle East, our thoughts turn to water, a scarce commodity at any time of the year, but especially in summer. Fortunately, the myth of the desert oasis is not fiction at all. Spring-fed streams, like the one pictured here at Hidden Falls in the Ein Gedi Reserve, run cool and clear 12 months a year, rewarding parched hikers with refreshing relief before their return to the dusty trail.

The name is a bit of a misnomer, as on more than one occasion I've been joined at this site by several dozen students. Nevertheless, they generally move on quickly, leaving behind an even deeper quiet created by the absence of their chaos. This shot downplays the falls, which are about five meters in height, but still follows basic rules of composition by using a strong foreground element as a jumping off point to finding the main subject. I chose camera settings that allow for a long exposure to give the water a milk-like color as it makes its way to the Dead Sea. Israel indeed flows with milk and honey. You just have to know how to look.

Technical Data: Nikon D70, 28-105 zoom at 32mm, f16 @ 1.6 sec., ISO 200.

Photo of the Week: July 6, 2011

HOW I GOT THE SHOT: The following anecdote has nothing to do with this week's photograph. On the other hand, it may be the only thing that matters. Last Thursday I worked an event in downtown Jerusalem. The evening began with a maddening traffic jam that turned a 10-minute ride into an hour of frustration and I arrived late to a job for the first time in my professional career. I then worked seven hours standing on my feet, packed up my car and headed home. As I pulled onto the tunnel road, which connects Jerusalem's Gilo neighborhood with my home in Gush Etzion, I brought my car to a halt in an endless line of traffic. For the second time that day, at 12:24 a.m., a 10-minute drive became a slow and painful crawl home.

With one lane closed for construction, traffic moved about a quarter of a mile at a time with seven-to-eight minute standstill delays. At 12:52 a.m., now halfway through the second tunnel, the horns started. Miserable drivers, no doubt similarly exhausted, began blaring their horns in disgust. First one, then another until at least a dozen joined the fray. I turned up the music in my car and closed my eyes. When I opened them again a moment later, I spotted a van that had pulled into the service bay of the tunnel. The slider opened and out jumped a man, than another and another until eight men, charedim in black coats and hats, joined hands and danced in a joyful circle to the midnight din. We always have a choice. Life is short. Live every moment.

This week's shot was taken in the desert north of Eilat, on a trail connecting the Black Canyon with Amram's Pillars. Near the end of my hike, I climbed a small rock formation and discovered this window overlooking the section of trail I had just completed, a thrilling conclusion to an afternoon of peace and quiet, no disgruntled drivers, no traffic and no jams.

Technical Data: Nikon D700, 18-200 zoom at 135mm, f16 @ 1/160 sec., ISO 400.

Photo of the Week: June 30, 2011

HOW I GOT THE SHOT: Israelis love their "garinim," their seeds, and every spring and summer vast swaths of fertile farmland buzz with these monster yellow blooms. Standing a dozen rows deep in this flower forest, I felt as if I had entered a science fiction movie, as some of these giants towered above me at over nine feet tall. That, of course, wreaks havoc for photographers, who often prefer to be eye-level with their subjects. Predicting this predicament, I had planned to bring a ladder, but that thought remained stranded somewhere in a senior moment.

I never cease to be amazed by the creative process. A dead end in one direction leads the mind to re-chart its course. Having scrapped my vision of a high-angle shot of the entire field, I narrowed my search and discovered these flowing petals, brought alive with texture and motion injected by the back lighting. It is the somewhat unusual composition, however, that distinguishes this shot. The subject is familiar to most viewers, so tight cropping draws attention to the petals without the feeling that something is missing. This is a technique I learned from shooting portraits, where a very tight crop on a person's face can deliver great feeling and intimacy without rendering the subject's identity unrecognizable. Finally, the background, although severely blurred, provides context for the setting and a nice color complement to the photo's center of interest.

Technical Data: Nikon D700, 28-105 zoom at 105mm, f5.6 at 1/500 sec., ISO 200.

Photo of the Week: June 22, 2011

HOW I GOT THE SHOT: One measure of success of a photograph is how much the viewer desires to be in the place depicted in the image. With the heat of summer upon us, who doesn't long for a lazy day at the beach? Israel is blessed with many miles of beautiful Mediterranean seacoast. This week's photo features the beach at Habonim Nature Reserve, located about halfway between Tel Aviv and Haifa. I had been camping there with my family which gave me the freedom to explore the area with my camera during the optimal late afternoon sunlight.

Photographing wave action on the ocean's edge is akin to trying to hit a formless and fast-moving target. Waves, like snowflakes, are infinitely variable but it's free and easy to fire off 15-20 shots in quick succession and sift through the results later. The rocks on either side of the photo determine the composition, but the appeal of this image begins with the streak of sunlight cutting across the water and casting a golden glow on the wet sand. The light sets the mood and feeling for the entire scene: warm, refreshing and inviting. Nothing left to do but dive in.

Technical Data: Nikon D200, 12-24 zoom at 12mm, f9 at 1/800 sec., ISO 400.