HOW I GOT THE SHOT: Fortunately, I now have spies who send me cryptic emails like, "There's some pink stuff on the hill across from your house. You better check it out." Sounds simple enough, until you understand that the hill in question is on the opposite side of a deep valley and only accessible by foot. For several weeks now the terraced hillsides adjacent to Efrat, where I live, have been colorfully segmented into patches of green, pink or yellow enclosed by stone walls that neatly delineate each farmer's plot. And if you're me, you traipse across the valley in the late afternoon, only to discover the sun is on the wrong side of the hill for the shot you want so you decide to wake up before dawn the next morning and repeat the hour-long trek. At least the second time out I knew the trip would be worthwhile. I pitched my camera under this almond tree, in a spot I had discovered the day before. I had been concentrating on photographing the flowers and vines, but felt dissatisfied because the layout of the hill demanded that a portion of the sky, which was empty of clouds, be included in the shot. In this photo, the silhouetted branches fill the void created by the still cloudless sky. I mounted my camera on a tripod and pointed it to the northeast, with the rising sun - off to the right of the frame - throwing soft, morning sunshine on the wildflowers and stones while the bowed almond tree and stumpy vines retain their dark and mysterious form.
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