Photos of the Week: Jan. 20, 2011

HOW I GOT THE SHOT: Photography often requires finding order amid chaos and distraction. It takes a sophisticated eye to see what doesn't belong and to compose by exclusion. And it's never a simple matter of left and right, but also over and above, and often most importantly, what falls in the background.

I appreciate merchants who take pride in displaying their wares with an artistic flare. If you arrive early enough at Jerusalem's Machane Yehuda market, you can see vendors stacking fruit with a purpose beyond mere profit. The efforts of these stall owners made capturing this week's photos a lot simpler.

The upper shot caught my eye in the way the rows of round, dried figs seem to dominate their surroundings. I don't know if the vendor intended it, but he alternated light colored and dark colored fruits so that no two similarly colored fruits occupy adjacent bins. That makes the whole setup more visually appealing as well as aiding the shopper to see and select from the many different choices.

The lower photo features fruits closely related in color. This shot was taken in open sunlight, and I used the play of shadow and light, as well as selective focus, to emphasize the papaya in the foreground. Today is Tu Bishvat, the new year for trees in Israel. May we merit a bountiful harvest in the coming year.

Technical Data:
Left Photo – Nikon D700, 28-105 zoom at 55mm, f11 @ 1/80 sec., ISO 500
Right Photo – Nikon D300, 18-200 zoom at 46mm, f13 @ 1/160 sec., ISO 400

Photo of the Week: Oct. 8, 2009

HOW I GOT THE SHOT: Like a few other photographers I know, I have a folder in my picture library named "body parts." It contains a variety of images featuring hands, feet, elbows and ears, but never faces or a full body. Over the years, this folder has become quite crowded as my eyes have been drawn to human activity that seems more poignant photographically when the part of the body performing the action is isolated or cut away from the rest of the person. There is something intriguing about looking at a picture with obvious human content, but no face, and trying to imagine whom is the person in the photo.

This shot of a man examining a lulav (palm frond) illustrates this perfectly. Mingling with shoppers in the Bukharan market in Jerusalem prior to Sukkot, I found a spot where bright sunlight was sneaking through a makeshift canvas roof built to provide shade. By a stroke of luck, the man holding the lulav turned into the light in order to examine it more closely. He was wearing a black coat and stood in the shadows near a dark wall, which created a beautiful interplay between light and shadow. Sometimes less is more, as when a picture draws us in and then leaves us pondering the rest of the story.