Actually, I shot this image on film, using my widest lens, a 20 mm Nikkor stopped down to f22 to produce the sun star, a natural optical effect of shooting with the lens at its smallest aperture. Without this tool, it's nearly impossible to shoot directly at the sun at high noon. As luck would have it, there were some pretty cumulus clouds to add interest to the sky, in particular the three directly under the sun which nicely parallel the three main rocks situated just off shore. My memory in pocket, I stepped back into the darkness and headed off to work.
Yehoshua's Website
August 07, 2008
Photo of the Week: July 29
HOW I GOT THE SHOT: Staring out across the ocean into the midday sun would probably rank last on my list of choice places and times to photograph. I often find myself in the right place at the wrong time, so when that happens, I reach deep down into my bag of photographic tricks. Rosh Hanikra is a chalky cliff along the Mediterranean coast on the border between Israel and Lebanon, known for its labyrinthine grottoes carved over the years by the pounding surf. I was en route to an assignment not far from the coast and thought I'd steal an hour admiring the aquamarine water that flows through this natural wonder. Following the dark and misty maze of tunnels, I was surprised to emerge suddenly into a very short opening with a southwestern view of blue ocean expanse. The fresh air and sunshine compelled me to stop, gaze, and, of course, preserve the moment in pixels.
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1 comment:
I love the wide effect of the 20. In fact, I have a 20mm Cosina in Nikon mount for my FM2. I do about 80% digital and some film work, tho' I'm not developing film at home anymore.
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